Explore RED's Latest Cine Solutions and Z-Mount Cameras at NAB 2025

Join RED Digital Cinema as they unveil their latest innovations at the National Association of Broadcasters (NAB) Show in Las Vegas, scheduled from April 6 to 9, 2025 (Booth #N2038). Among the highlights will be hands-on demonstrations showcasing the cutting-edge RED cinema solutions, including the much-anticipated RED V-RAPTOR [X] and KOMODO-X cameras equipped with the Nikon Z-mount, alongside the new RED Cine-Broadcast module.

Introduction of the RED Cine-Broadcast Module

The Cine-Broadcast Module represents a major advancement in RED's offerings, making it possible for producers globally to elevate their live broadcasting capabilities. This module is compatible with multiple RED camera systems, including the V-RAPTOR XL [X], V-RAPTOR [X], and the standard V-RAPTOR series. It supports live broadcasting with a remarkable capability: dual-channel 4K at 60 frames per second (fps), whether in HDR or SDR. Furthermore, it incorporates the sophisticated SMPTE ST 2110 (TR-08) standards, allowing seamless IP broadcasting.

One noteworthy feature of the Cine-Broadcast Module is its use of a LEMO SMPTE 311M/304M hybrid fiber-optic cable connector, which connects to a rack-mountable base station available in both 2U full rack and 4U half rack configurations. The module also enhances production workflows with real-time streaming capabilities—achieving 8K at 120 fps through the RED Connect license-enhanced functionality. This level of quality positions the Cine-Broadcast Module as a game-changer for live productions.

“This innovative technology will enhance productions worldwide by blending cinematic and live broadcast imagery,” said RED CEO Keiji Oishi, highlighting the potential of this new tool.

To showcase these capabilities in a real-world context, CBS Sports plans to begin integrating the Cine-Broadcast Module into its productions, demonstrating how RED technology can achieve high cinematic image quality in live sports broadcasts.

Transforming RGB Workflow with Broadcast Color Pipeline

RED will also present its new advanced Broadcast Color pipeline at the NAB show. This functionality enables operators to achieve fine-tuned adjustments, allowing live painting of RED cameras in broadcast environments. Utilizing industry-standard Remote Control Panels (RCPs), users can manage painting parameters in real-time over IP connections and save this data per frame into the recorded file’s metadata, providing precise control over multi-camera color matching.

The newly available integration with EVS’ XT-VIA® live production server will further extend these capabilities, empowering broadcasters with advanced options such as enhanced slow motion—up to four times at 4K and eight times at 1080p—while broadcast quality remains uncompromised. The integration leverages the RED Connect feature for real-time IP streaming of R3D files, tapping into the power of NVIDIA GPUs to ensure cutting-edge image processing.

Highlighting the RED V-RAPTOR [X] and KOMODO-X with Nikon Z Mount

The partnership with Nikon becomes more exciting as the RED V-RAPTOR [X] and KOMODO-X models make their debuts on the NAB show floor, equipped with the Z-Mount. These new camera variants enhance lens selection flexibility, merging lens technology with the robust capabilities of RED’s cinema systems.

The redesigned Z Mount features a shallower flange depth and wider diameter, enabling lens manufacturers to create optics with superior sharpness and advanced aberration control. Additionally, lenses designed for the Z system promise exceptional performance in low-light conditions while maintaining clarity across the frame, enhancing the overall mounting experience on both the V-RAPTOR [X] and KOMODO-X cameras.

For professional users, the V-RAPTOR [X] boasts an impressive 8K VV global shutter large-format sensor, providing incredible dynamic range and resolution. Meanwhile, the KOMODO-X, featuring a compact design (only 4x4x5 inches and approximately 2.6 lbs) with a 6K super 35 global shutter sensor, offers frame rates up to 80 fps at 6K and 120 fps at 4K.

Bundled Solutions for Enhanced Control

Attendees will also witness the dynamic collaboration between RED Digital Cinema and Mark Roberts Motion Control (MRMC). This partnership introduces the powerful RED KOMODO-X paired with the MRMC SR-1, featuring a motorized zoom lens. The integration of image and lens technologies within a controllable pan-tilt-zoom system creates unprecedented shooting flexibility. This bundled solution is set to begin shipping shortly, further enhancing the capabilities of film and broadcast professionals.

Conclusion

As the NAB Show approaches, anticipation builds around RED’s latest offerings which are poised to elevate both cinematic and live production experiences. With innovative solutions such as the Cine-Broadcast Module and the introduction of the Z-Mount cameras, RED is clearly pushing the boundaries of what's achievable in modern filmmaking and broadcasting. The NAB show provides an essential platform for industry professionals to witness firsthand how these technologies can redefine workflows and elevate visual storytelling.