Top Black and White Photography Highlights from the International Amateur Photographer of the Year 2026 Competition
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Explore the best black and white entries from the International Amateur Photographer of the Year 2026, showcasing striking imagery and innovative compositions.
In the latest round of the International Amateur Photographer of the Year 2026 competition, some of the most captivating black and white photographs have emerged, highlighting the unique artistry and emotional depth that monochrome images can offer. From evocative portraits to abstract narratives, these entries showcase the versatility and power of black and white photography. Here’s a rundown of the top ten images from Round Two, featuring the creative insights of the AP team and guest judges.
A Young Fisherman with Hilsa by Azim Khan Ronnie
Camera: Hasselblad L2D-20c, 24mm, 1/40sec, f/4, ISO 100
The standout winner in the Black & White category, Azim Khan Ronnie's photograph, "A Young Fisherman with Hilsa," captures a compelling aerial view that immediately captivates the viewer. The shimmering silvery fish create a stunning contrast against the darker backdrop, leading the viewer's gaze to the central figure—a young fisherman with a broad smile holding his catch. This image transcends mere visuals by telling a deeper story about the coastal traditions of Bangladesh. The thoughtful balance between composition and this boy's joyful expression transforms the picture into a vibrant narrative, rich with cultural context.
Eyes of Exile by Azim Khan Ronnie
Camera: Canon EOS 7D Mark II, EF100mm, f/2.8L Macro IS USM, 1/50sec, f/2.8, ISO 250
Claiming second place, Ronnie’s portrait "Eyes of Exile" reveals a child’s penetrating gaze that immediately connects with the audience. The portrait's shallow depth of field isolates the subject effectively, while the monochrome treatment emphasizes the rich tonal contrasts in the boy's skin and hair, enhancing the emotional gravity. The photograph captures a dignified essence, steering clear of sentimentality despite the challenging backdrop of the subject's life. The ultimate harmony between light and composition allows this intimate portrait to resonate deeply with viewers.
Home to Roost by Karen Morris
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Morris’s "Home to Roost" presents a minimalist yet visually striking scene of birds perched on wires. Initially appearing simple, a closer inspection reveals variations in spacing and posture among the birds, creating a rhythmic and artistic composition. The clever use of negative space enhances the minimalist aesthetic, emphasizing the elegance of line and form. Both spontaneous and meticulously composed, this photograph serves as a reminder that impactful monochrome images can derive from the ordinary through thoughtful observation.
Quiet Strength, Madagascar by Erika Howard
Camera: Canon EOS R5m2, RF70-200mm at 172mm, 1/100sec, f/2.8, ISO 8000
Erika Howard’s "Quiet Strength, Madagascar" captivates viewers through the powerful simplicity of the portrait. Soft, directional lighting and a dark background direct focus onto the subject's emotional expression and serene presence. The careful control of light enhances the emotional depth of the image, inviting the viewer to connect intimately with the subject. Through minimalistic means, the photograph conveys an extraordinary psychological presence that lingers in the viewer's mind.
Jellyfish Kiss by Adam Humphrey
Camera: OM System OM-1 Mark II, 12-100mm at 92mm, 1/100sec, f/6.3, ISO 2500
In fifth place, Adam Humphrey’s "Jellyfish Kiss" takes a unique approach to monochrome. Guest judge Paul Sanders praised the photograph for its ethereal quality, where overlapping curves of the jellyfish create a sense of weightlessness. The interplay of light and shadow draws the viewer's eye into a meditative space, allowing one to explore the emotional landscapes the image evokes. This artwork transcends mere representation, offering depth and visual satisfaction for those willing to invest time in its contemplation.
Take Me Home. Upper New York State. USA by Anthony Bliss
Camera: Nikon F2as, 180mm, 1/2000sec, f16. Photographed on Tri X film, pull-processed in D76
Anthony Bliss presents "Take Me Home," which embodies an aura of cinematic storytelling. The photograph’s composition uses the diagonal road to guide the viewer's eye, creating an evocative sense of journey and time. The grainy texture of the Tri-X film enhances the nostalgic feel, reminiscent of classic documentary styles. This image not only captures a moment but also invites viewers to reflect on the wider narrative unfolding beyond the frame.
Rosie On Wall (Derelict) by Calum Carpenter
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Calum Carpenter's photograph cleverly merges portraiture and environmental storytelling. "Rosie On Wall (Derelict)" balances the model elegantly against the weathered backdrop, intertwining her identity with the textured surroundings. The subtle contrasts between the building’s decay and Rosie’s tattoos invite the viewer to delve deeper into the interplay between person and place, showcasing the potential of environmental portraiture.
Anonymity in Motion by Ben Speed
Camera: FUJIFILM X-H1, 56mm, 1/4000sec, f/5.6, ISO 200
In "Anonymity in Motion", Ben Speed captures a fleeting moment where architectural lines intersect with human presence. The sharp contrast between light and shadow creates a dramatic tension that invites speculation about the subject’s identity and purpose. Masterfully composed, this photograph demonstrates that effective street photography often thrives on the balance between spontaneity and aesthetic design.
Smile by Lorraine Robins
Camera: Nikon D750, 85.0 mm, 1/1000sec, f/6.3, ISO 800
Lorraine Robins charmed viewers with her photograph "Smile," which captures a playful moment with a young child teasing the photographer with a toy camera. The image embodies the essence of curiosity that often inspires emerging photographers. The composition integrates park benches into a leading line that guides us into the scene, ensuring focus remains on the delightful interaction, while background figures add context without detracting from the joyful spirit.
Cast a Dark Shadow by Neil Johansson
Camera: RICOH GR II, GR Lens, 1/1250sec, f/8, ISO 1600
Neil Johansson's "Cast a Dark Shadow" stands as a striking example of minimalist photography. The graphic quality of the lone figure juxtaposed against their elongated shadow creates a thought-provoking visual narrative. Viewed from above, familiar elements transform into an abstract arrangement, compelling viewers to reflect on deeper meanings within the simplicity of the shot.
Invisible Man by Grace Learoyd-Hill
Camera: Canon EOS 2000D, 18-55mm at 55mm, 1/200sec, f/8, ISO 800
Grace Learoyd-Hill’s "Invisible Man," the winner of the Young category with a score of 100 points, captivates with its minimalistic approach and conceptual depth. The photograph presents an enigmatic figure partially obscured by smoke, prompting reflections on identity and presence. This deliberate simplicity allows the viewer's imagination to engage with the image, creating a lasting visual impression.
The Journey or the Destination? by Matteo Botta
Camera: DJI FC7303, 20.7 mm, 1/1600sec, f/2.8, ISO 100
Matteo Botta’s aerial photograph, "The Journey or the Destination?", brilliantly transforms a snow-covered landscape into a stunning abstract study. The sweeping black road cuts through the white scenery, accentuating the visual rhythm and geometric qualities of the vista. The tiny vehicles provide a scale that enhances the viewer’s appreciation of this magnificent natural landscape.
In the Deep End by Cavon Hajimiri
Camera: Canon EOS R8, 24-105mm at 58mm, 1/1250sec, f/5.6, ISO 640
In "In the Deep End," Cavon Hajimiri captures an exhilarating moment in water polo, effectively freezing the action amid a surge of water. The stark backdrop enhances the drama of the scene, allowing the pure energy of the moment to resonate powerfully. This photograph stands as a testament to how dynamic compositions can convey vigorous narratives through monochrome imagery.
Best of the Camera Clubs
In addition to the top ten entries, noteworthy shots from various camera clubs showcase the breadth of talent within the photography community.
Eric’s Fireside Seat by Dave Tucker, Smethwick Photographic Society
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This introspective portrait by Dave Tucker features rich textures and thoughtful composition, painting a picture steeped in character and quiet reflection.
That Hat by Mike Martin, Bristol Photographic Society
Camera: OM-1, 40-150mm at 75mm, 1/125sec, f/10, ISO 200
Mike Martin’s "That Hat" transforms a simple profile into an elegant study through minimalist composition and masterful control of light.
Where’s the Ball? by Ian Smith, Launceston Camera Club
Camera: FUJIFILM X-T3, 100-400mm at 190mm, 1/125sec, f/5, ISO 1000
Ian Smith captures the intensity and camaraderie of a rugby match, encapsulating the physicality and energy within the frame.
The Quiet Between Moments by Kevin Dawson, Visions Photography Club
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Kevin Dawson’s portrait, "The Quiet Between Moments," employs low-key lighting and a direct gaze to evoke an air of mystery, effectively complemented by the soft floral contrast in the background.
Angelique by Sharon Lewis, Mid-Somerset Camera Club
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Sharon Lewis’ "Angelique" impresses with its soft natural light and graceful posing, showcasing delicate tonal control that creates a timeless portrait.
Winning Kit from Park Cameras
Curious about the gear used by the top photographers? Here’s a look at some of the equipment:
For his second-place winning photograph, Ronnie utilized the Canon EOS 7D Mark II, priced between £319-479 used, known for its accuracy in exposure metering. This camera offers reliable capabilities for a variety of shooting needs.
Adam Humphrey's fifth-place award-winning image, "Jellyfish Kiss," was taken using the OM System M.Zuiko Digital ED 12-100mm f/4 IS PRO Zoom Lens, an impressive option for both photography and videography, available for £1,199.
Lorraine Robins employed a Nikon D750 for her charming image "Smile." This weather-sealed DSLR, available second-hand for around £479, boasts improved ergonomics and comfort for extended use.
For a comprehensive range of cameras and lenses, visit www.parkcameras.com.
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