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Harman Phoenix Film Rebrands with ISO Reset and Emulsion Tweaks

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Harman has rebranded its Phoenix colour-negative film, adjusting its ISO to 125 and implementing new emulsion changes for better exposure control.

Harman Phoenix Film Rebrands with ISO Reset and Emulsion Tweaks

Harman's recent rebrand of its Phoenix colour-negative film marks an important shift in both its capabilities and specifications. Initially rated at ISO 123.5 when first launched, community feedback suggested it be rated at ISO 200, leading to confusion among users. Now, the film’s ISO has officially been reset to 125, aligning with the manufacturer’s scientifically measured performance while aiming to address concerns surrounding dynamic range and exposure latitude.

Understanding the Emulsion Changes

Harman Phoenix films leverage the technology used in Ilford XP2 Super, their acclaimed black-and-white emulsion. This film is designed for development using C-41 chemistry, popular among photographers for its compatibility and ease of use. The characteristic purple base, a hallmark of the Ilford brand, is maintained in the Phoenix colour films, but the transition from black-and-white to colour has posed significant challenges in film production. Notably, this marks the first venture into colour-negative film production at their UK factory since the 1960s, establishing a new chapter in their product offerings.

The transition wasn’t simply cosmetic; the alteration in the emulsion aims to enhance the film's handling in various lighting conditions. The previous dynamic range of approximately five stops, which resembled that of slide films, often resulted in difficulties during high-contrast scenes. Photographers encountered blown-out highlights due to slight overexposure, prompting the initial recommendation to shoot it at ISO 200.

In response, Harman has continually refined their Phoenix emulsions. Each new batch showcases minor tweaks, indicative of their commitment to perfection. For this latest version, users will notice changes in packaging including an updated design that incorporates a DX code, enabling point-and-shoot cameras to properly identify the film type. This foresight in design reflects an understanding of modern consumer needs while maintaining traditional qualities.

Implications for Photographers

The reformulation of the Phoenix film is critical for photographers who require reliable and consistent results from their colour-negative film. The revised ISO rating and emulsion updates are designed to improve exposure latitude, specifically in highlight regions, thus allowing for a more straightforward exposure at ISO 125. This means photographers can shoot in a broader range of lighting conditions without the fear of losing important details in the brightest areas of an image. Such adjustments are especially beneficial in scenarios where lighting varies dramatically, enabling greater creative flexibility.

With the trend of vintage and film photography experiencing a resurgence, the market for quality colour-negative films is more competitive than ever. Harman's adjustments signal its desire to assert itself in this landscape. Photographers who delicately balance shooting styles will likely appreciate the opportunity to utilize a film that has been both modernized and pays homage to traditional methods.

Availability and Community Engagement

The new iterations of Phoenix film are expected to hit photography shops soon, offering users a chance to experience these updated features firsthand. For enthusiasts looking to compare prices and ensure they receive fair market value, resources such as Analog Café’s film price tracking tool are invaluable for informed purchasing decisions.

Moreover, Harman has confirmed that alongside the regular Phoenix I emulsion, this tweaked version will foster versatility—allowing the possibility of developing the film as slide film or even experimenting with redscale effects. These enhancements not only reflect Harman’s understanding of modern photographic needs but also invite users to explore creative avenues previously unavailable.

Closing Thoughts

As the film photography community eagerly awaits these fresh supplies of Harman Phoenix, the brand's willingness to adapt based on user feedback is commendable. This careful balancing act between maintaining heritage as a historic manufacturer and innovating for contemporary photographers may position Harman Phoenix as a leading choice for those in search of quality colour-negative film. With improved exposure control and thoughtful design updates, the rebranded Phoenix is poised to attract everyone from seasoned professionals to newcomers eager to delve into film photography.

Source: Dmitri · www.analog.cafe

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